Yoga and Meditation

It was in the 6th and 5th centuries BCE that Buddhist art was implemented in the Indian subcontinent to document the life of Gautama Buddha. Throughout Asia the dharma of the Buddhist of the religion spread and developed as it came into contact with the various cultures in its path. Practitioners and artists who created Tibetan art used a style that is known as aniconic, which was the use of Buddhist symbology and iconography without the actual use of the image of the human figure. In the first century CE, the human appearance of the Buddha started to become prominent in the Tibetan art at the time and this practice continues even unto this modern day. Buddhist art followed the believers in the Buddhist religion wherever it developed throughout all of Asia, in every Buddhist temple.

The art of Tibet has always been thought of as religious in nature, particularly that of Buddhist art in Tibet and all over the rest of Asia and the ancient Himalayan kingdoms like Bhutan, Nepal and Ladakh.

The Tibetan Buddhist art that was created previous to the middle of the twentieth century was steeped in traditional techniques and devoted to the vision of sacred iconography. Not only are the works of these early Tibetan Buddhist artists festooned with the central topics of philosophy and spirituality, they were also dedicated in showing the energy of the aesthetics that Tibetan Buddhist art was known for as it came into eminence during the growth of the various schools of Buddhism all over Asia and the regions it influenced with its presence over the years.

In the fourth century saw the emergence of the Mahayana Buddhist influence. This particular influence emphasized those who wished to forgo achieving Nirvana in order to help those others in need. The deity Chenrezig is commonly depicted as a thousand armed deity with a single eye in each hand in the Tibetan art of this Buddhist influence.

Another great influence in Tibetan Buddhist art is the Tantric influence, its main symbol being the diamond thunderbolt. Tantric influence art is most often depicted as having many gods with angry faces that actually represent guardians of those who are dedicated to the practice and teaching of Tantric Buddhism and the purging of negative thoughts.

The in the Himalayas, a religion with shamanistic foundations known as Bon brings to Tibetan Buddhist art a wide variety of local gods. These local deities are often depicted in Tibetan temples along with statues of the Buddha. These shamanistic gods were once considered harmful, but are now subjugated and in the service of Buddha.

A great variety of techniques are used in Buddhist meditation in order to achieve mindfulness, concentration and the promotion of well being. Ancient texts were set down by priests and other practitioners of Buddhism to preserve the core techniques that are passed between teachers and pupils.

As Tibetan Buddhist art flourished it had a great influence on the development of art in the Hindu religion. In the tenth century Buddhism nearly disappeared from India due to the brisk expansion of Islam along with Hinduism in India.

Tibetan Buddhist art started in the subcontinent of India with the intent of using art to document the life of Gautama Buddha in the 6th and 5th centuries BCE. As the Buddhist religion spread throughout the Asia and the rest of the world, the prominence of Tibetan Buddhist art spread along with it. The earliest Buddhist art generally followed the practice of aniconic Indian traditions. This is the use of Buddhist symbols and iconography without any actual representation of the human figure involved. However, it was about the first century CE when an iconic art period came about and represented the Buddha in human appearance; a practice that continues to this day. As Buddhism spread and evolved in each new country or region, Buddhist art followed those adherents to the faith and developed throughout Asia if different ways.

Tibetan art is considered a form of consecrated art that reflects the influence of Buddhism, particularly that of Tibetan Buddhism, over other cultures in Asia and Himalayan kingdoms such as Nepal, Bhutan and Ladakh.

The Tibetan Buddhist art that was created before the mid twentieth century were dedicated to the depiction of sacred subjects and permeated with traditional technique. These works of Tibetan art not only detail the key concepts of philosophy and spirituality but also the energy of Tibetan art aesthetics in terms of the development of various schools of the Tibetan religion in different regions and countries. The Buddhist symbols used in the development of Buddhist art can be studied as variations of the influences that have contributed to Tibetan art over the past centuries.

The main influence of Buddhism in the fourth century was the Mahayana influence, which was known for its emphasis on the denial of Nirvana in order to better help others in need. Chenrezig is the chief deity depicted in the Tibetan Buddhist art of this time period of Mahayana influence. He is most often as a god with a thousand arms and in each hand is an eye.

Another influence in Tibetan Buddhist art is that of Tantric Buddhism; the most common symbolism being that of the diamond thunderbolt. Angry deities with furious faces are also prevalent in Tantric Buddhism as depicted in the art of the period. The ghastly images often represent protectors who are dedicated to the teaching of tantric practices and the conquering of negative aspects.

In the Himalayas, a shamanistic tradition known as Bon is considered another great influence of Buddhism and Buddhist art. In this shamanistic practice, many local deities are depicted in Buddhist temples as being with the Buddha as their conqueror and are considered to serve him by keeping mischief and evil away from the people.

A great variety of techniques are used in Buddhist meditation in order to achieve mindfulness, concentration and the promotion of well being. Ancient texts were set down by priests and other practitioners of Buddhism to preserve the core techniques that are passed between teachers and pupils.

Tibetan Buddhist art also greatly influenced Hindu art, but in the tenth century, Buddhism was all but gone from the Indian subcontinent by the rise of popularity in Islam along with Hinduism.

Generally speaking, Buddhist symbols can be considered based on a particular culture and its followers. Everebody heard about Eight Auspicious Symbols, dorje and bell, mandala etc. Many of these symbols can be found in ancient India where Hinduism is the main religion. Their meaning and usage may however not be in the same light. The Buddha lived around the 6th Century B.C. However, no Buddhist art or artifacts are known to have been in existence by then. In the Buddhist holy writings, it is claimed that the Buddha would sometimes use Buddhist art or images such as the Wheel of Life to illustrate his teachings. Ornamental carvings have been found dating to the reign of Emperor Ashoka. Emperor Ashoka converted to Buddhism, thereby making this religion popular both in India and the countries in the vicinity.

Excavations of Buddhist art that have been discovered dating to the first century have mostly been symbolic by nature and their significance remained symbolic until the appearance of the Buddhist Tantra. This Buddhist used imagery and visualization as part of the Buddhist meditation. From here, Tibetan Buddhism was born and Buddhist temples began to have collections of Buddhist art and religious artifacts for Buddhist meditation purposes.

Common symbols found in almost all Buddhist temples are the Lotus, wheel and the stupa. These symbols are commonly used in Buddhist meditation rituals. Looking at some of these symbols will help us have a better understanding of the both Buddhist meditation and the accompanying religious practices.

One of the Buddhist art symbols is the bell. This symbol has a natural function and is believed to dispel wicked spirits. It consists of the moondisc, dorje and the lotus symbols. The bell complements the dorje in the religious light. While the bell has a feminine representation to it of wisdom, the dorje represents compassion in the masculine gender.

The dorje is a substantive symbol that represents the invincible state of Buddha hood. The dorje is actually a scepter and is regarded as a very important ritual item in Buddhism meditation practices.

Incense burning is also taken to be a significant part of Buddhism worship. During the incense offering, this is the time to offer specific requests of success, longevity and any personal need. After this, Buddhist meditation is performed and such qualities as love, joy and compassion are reflected upon during these meditation periods.

Locations are also important aspects of Buddhism. Apart from the Buddhist temples, Mount Kailash is also a significant religious symbol to Buddhists. Mount Kailash is a peak on the Himalayas, and is symbolically considered the central point of the universe. It has a religious significance to the 4 religions that are found in the region. These are the Hinduism, Buddhism, Bon and Jainism.

While one may interpret Buddhist art and symbols as visual mantras, contemplating on this artwork that is found in Buddhist temples and trying to understand how it is so much a part of Buddhist meditation is claimed this will build inner contact with the element being represented.

Incense burning is considered a religious and a purification rite in many places. Incense, the practice of burning aromatic materials to release fragrance has been done for hundreds of years and in recent years, the practice is quite popular. Burning of incense is done either for aesthetic purpose or due to some medicinal benefits that go along with it.

The influence of underlying cultures and cultural diversities has however changed the reasons for burning incense in recent years. Whatever the reason for incense burning, the practice has become popular in recent years.

There are many aromatic materials that are burnt today as incense. Extractions of solid materials as well as oils have been burnt and considered authentic aromatic substances. With the many materials has come the many incense burners used while undertaking the ritual.

When it comes to liquid aromatics, these substances must have special incense burners to hold the essential oils. In most cases, a base that is extracted from charcoal powder is added to the liquid fragrances and is used as a base. Cheaper fragrances have been used as incense and they are derived from chemical synthesis. These fragrances require special incense burners to hold them during the burning process.

There are varying types of incense classified by the mode and degree of burning. The common groups are direct and indirect burning. One of the best known examples of materials that use indirect burning is myrrh and frankincense. Frankincense in the European context alludes to virtually any form or forms of incense. When placed on an appropriate incense burner, the frankincense material in its raw unprocessed form is burnt directly by having it placed on an incense burner that has coal embers.

Direct burning involves lighting the combustible substance and placing it on the incense burner. The substance continues smoldering even after the initial flame or light source is removed. This initial ignition is all that is required. The substance can either be in liquid form or in finely grounded particles so that it can be entirely.

Some common direct burning types of incense are coils that burn for extended periods by placing them on a suspended incense burner, cones, cored sticks that have a supporting bamboo core as the incense burner, solid sticks, incense blanks and loose powder. Loose powder is usually placed on wood ash and special censers are used as the incense burners. In direct burning, the above incense forms usually have to be pressed or coated under a supporting material.

Incense burners are sold in different sizes and of different shapes. Burners can be classified in different ways. There are burners that take shapes of mythical creatures like gargoyles, goddesses, while others are celestial in nature. Others include pentagrams and animal incense burners. There are even some that take shapes of dragons and mermaids in varying shapes and sizes. Search online for incense burners and holders will show up pictures as well as their use.